How to draw RINGS

We’re rapidly approaching the first day of Spring, so what better than a floral-type of tangle to get us in the mood.

Hong Kong CZT Cat Kwan is from the very first CZT-Asia class that took place in 2016.

The lovely, and oh-so-easy Rings is her second tangle on the site. Previously Cat shared her Ying tangle with us, one inspired by the Cherry Blossoms of Spring.

Aside: For those like me who are interested in Washington’s Annual Cherry Blossom Watch, this year the “Peak Bloom Prediction” is from March 27 – 30:

The peak bloom date is defined as the day when 70% of the Yoshino Cherry (Prunus x yedoensis) blossoms are open. Peak bloom varies annually depending on weather conditions. The most likely time to reach peak bloom is between the last week of March and the first week of April. Extraordinary warm or cool temperatures have resulted in peak bloom as early as March 15 (1990) and as late as April 18 (1958). #BloomWatch #CherryBlossomDC

However, that was all about Cherry Blossoms and today’s tangle is about Orchids …

Cat writes:

The idea of this tangle comes from Orchid (Phalaenopsis).

We found many phalaenopsis in the flower market before Chinese Lunar Year.

The expensive one has dozens of flower belts, and the size is as tall as me.

There are many phalaenopsis in the flower shop, and it looks like a flower belt. The “flower belt” inspired me to create this tangle, this is a ribbon tangle created with O and C.

I call it Rings, as I think the phalaenopsis petal is like a circle.

This is Cat’s sweet ZIA Zendala featuring Rings as a ribbon framing the Zentangle®-originals Mooka and Zinger with a few Tipple orbs creating the base.

Cat illustrates the step-by-step instructions for drawing Rings below where she demonstrates it in monotangle with a dimensional variation.

Image copyright the artist and used with permission, ALL RIGHTS RESERVED. These images are for your personal offline reference only. Please feel free to refer to the images to recreate this tangle in your personal Zentangles and ZIAs. However the artist and TanglePatterns.com reserve all rights to the images and they must not be publicly pinned, altered, reproduced or republished. Thank you for respecting these rights. Click the image for an article explaining what copyright means in plain English. “Always let your conscience be your guide.” ~ Jiminy Cricket

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Check out the tag catk for more of Cat’s tangles on TanglePatterns.com.

Related Links

1. Looking for tangles by Artist or Type? For details visit the ABOUT > HOW TO FIND TANGLES BY ARTIST OR TYPE page on the top menu bar of any page on the site.
2. What is a Zentangle? — if you are new to the Zentangle Method, start here for the fundamentals.
3. Zentangle terminology — a glossary of terms used in this art form.
4. How to use the site — an excellent free video tutorial showing how to use the site as well as pointing out lots of useful features you might have missed.
5. Linda's List of Zentangle-Original Patterns — here is the complete list of original tangles (aka "official tangles") created and introduced by founders Rick Roberts and Maria Thomas, including those not published online. If you are new to the Zentangle Method I highly recommend learning a few of the published Zentangle classics first.
6. "A Zentangle has no up or down and is not a picture of something, so you have no worries about whether you can draw a hand, or a duck. You always succeed in creating a Zentangle." Thus patterns that are drawings of a recognizable naturalistic or actual object, figure, or scene, are not tangles. A pattern is not always a tangle — here's what makes a tangle. TIP: tangles never start with pencil planning.
   • Un motif n’est pas toujours un tangle — Qu’est-ce qu’un tangle ?
   • Un diseño no es siempre un tangle — ¿Qué es un tangle?
7. How to submit your pattern deconstruction to TanglePatterns
8. For lots of great FREE tutorials on TanglePatterns, click on the TUTORIALS link in the pink alphabetic menu bar below the tangle images at the top of any page.
9. Strings! Have we got STRINGS! Click on the STRINGS link in the pink alphabetic menu bar below the tangle images at the top of any page for 250 different (free) Zentangle-starters. More than enough for any lifetime!
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Share your tangle on TanglePatterns

Everyone is invited to share patterns on TanglePatterns.com, you do NOT need to be a CZT. In order for patterns to be considered for publication they must be submitted to me by email. In other words you have to let me know about them.

For a submission to qualify as a tangle it must be a genuine pattern (“a repeated decorative design”) and not “a thing to draw”.

From The Book of Zentangle:

“Keep it Non-representational. Zentangle artwork is intended to be non-representational. Zentangle’s elemental strokes are also non-representational.

We don’t teach complex elements such as hearts, stars or flowers. Tangles are also non-representational.”

Remember that tangles never start with pencil planning.

"A tangle has no pre-planning with pencil guidelines, grids or dots, no erased lines."

If you need a refresher on what makes a tangle, read the A PATTERN IS NOT ALWAYS A TANGLE page on the ZENTANGLES menu bar at the top of any page.

For details on how to submit your pattern for consideration visit the SUBMIT YOUR PATTERN page on the top menu bar of any page on the site. On that menu you will find these two pages:

1. 1. How to submit your pattern deconstruction to TanglePatterns, and
   2. Why hasn't my pattern been published?

The first page includes instructions on how to prepare and send your JPGs. (Please save me time and do not send PDFs). It also includes a link to this PDF submission form.

When your examples include additional tangles from the site, please list them in your email. (This saves me time and my memory some wear and tear.)

If your pattern is posted on your blog, attach your steps and tile JPGs to your email and be sure your email includes the direct URL so I can link to it.

And remember, to quote Zentangle's co-founders Rick and Maria: tangles should be "magical, simple and easy to create", non-objective patterns of repetitive strokes that are easy to teach and offer a high degree of success to tanglers of all ages.

"Keep the tangles as little like 'drawing something' as possible."

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